Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, good. Whereas condenser mics are active meaning they need something called power phantom power. Its a departure from their simply constructed dynamic live mics. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. On first listen, the two mics have a similarly clear and transparent sound. However, some singers will need more control over the way their voice sounds. Its worth noting that the E965 is a bit cheaper than the KSM9. The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. The lows are being naturally rolled off to avoid that unwanted mud and boominess. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Du. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. Theyll deliver a higher quality sound than dynamic mics. Are there any favorites on the Sennheiser end of things? It is made from high-quality components, which ensures that it delivers excellent sound quality. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. 531 171. The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. 2:11 Shure KSM8 Only Free Shipping. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. Shure describe the KSM9 as the first-ever handheld condenser with dual diaphragms and switchable polar patterns. https://imp.i114863.net/b3emR60:00 - Intro1:12 - Shure KSM8 Only1:41 - Shure KSM9 Only2:11 - Shure KSM8 Only2:33 - Shure KSM9 Only2:46 - Shure KSM8 Only3:06 - Shure KSM9 Only3:26 - What We Heard5:52 - Thanks for Watching! Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. 3.7 out of 5. Both patterns arestandard and both can be as useful in different situations. 965 seriously cuts through the muddiness very crisp high end. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. The well-balanced and tapered body is comfortable to hold without risk of obscuring the rear ports. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. Then connect the output of the phantom supply soundcard. 965 more sensitive than the KSM, for me uses about 1/3rd less gain. Instagram: @marcusdscott, After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! But theres one major difference between these two mics. Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! ; chanel http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. When you purchase through links on our site, we may earn an affiliate commission. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. I'm somewhat unfamiliar with the Sennheiser line of microphones. Q. With this taken care of, theres many advantages to using a condenser mic. Looking at the mics published specifications, the frequency response is given as 40Hz to 16kHz, but these appear to be the limits at which the response has fallen by 10dB relative to the level at 1kHz. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. Shure KSM9 has two modes: cardioid and supercardioid. DuPont de Nemours and Company in the United States. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. 1.93 in. This pattern is fairly forgiving of mic position and technique, whilst capturing detail. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Rig Tour: Post Malone's FOH Engineer, Burton Ishmael, Happy 303 Day! And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. Off-axis frequency response is very smooth. This mic has all the detail and nuance that youd expect from a studio condenser. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. Re: Shure Beta 87c Vs. KSM9. What is the output level difference between Shures Beta 87A and SM58? The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. Confused about setting up your guitar? The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. Try a good quality boom stand, with a tripod base like the K&M 210/2. 5 stars: 28 %: 4 stars: Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. Theres no on/off switch on the KSM9 or any of the Shure KSM range. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. The younger sibling of the KSM9 is the Shure KSM8. The latter also feels more nuanced and detailed in its response. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. In my experience the KSM8 is a more hi-fi-sounding mic. In the low range, we see a very gentle roll-off from 500Hz and below, with a sharper curve below 100Hz. The user should not attempt to remove or replace this lining. email Sign up for our Newsletter; Shure Incorporated, 5800 West Touhy Avenue Niles, IL 60714 . KSM8. Shure KSM8 vs Shure KSM9. Patent Notice: Patent Des. Beta 87A on UHF-R Wireless. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. Not much help for the marginal types, though. It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. Shure KSM9 is a professional on-stage condenser mic. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". Finally, dynamic mics are passive meaning they dont require any power. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Consider helping Sound Forums keep the lights on. But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. General Description. At first glance it looks just like any other conventional stage vocal mic there's nothing in its styling that signposts the clever technology within. What else do you need for your home recording studio? Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. #Sweetwater #Shure Jan 28, 2013. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! For comparison the SM58 only reaches 15kHz. BA1 1UA. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . It is also nice to admit the technological advancements implemented in this unit. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. It can also be a bit more forgiving when it comes to microphone technique. Despite being a condenser, the design is well adapted to gigging. Turn your old gear into new gear with the Sweetwater Gear Exchange! The KSM8 is not necessarily an upgrade. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. The polar response also behaves differently with both frequency and source distance. However, the KSM9 has this covered. All in all the KSM9 has a durable, carefully considered design. As a condenser mic, the Shure KSM9 requires phantom power. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. Inside, the microphone features a Class A, transformerless preamplifier circuit.
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shure ksm8 vs ksm9